BlissBloomStudio comes from a difficulty I never really resolved. Not knowing how to choose just one direction. Art and science were never clearly separate.
I studied biology and neuroscience, thinking it would be easier to return to art later than the other way around. Over time, it became clear that the issue wasn’t a lack of focus, but an interest in too many ways of working with the same underlying forms.

Flowers became a point of convergence. Not as a subject, but as a structure that connects different practices. From cultivation to composition, from care to transformation. BlissBloomStudio starts from there. Sometimes through patterns or objects. Sometimes through materials, processes, or knowledge that don’t belong to the visual field alone.

The studio is built to move across these domains. Through collaborations, it becomes possible to step into other practices, to work with those who grow, study, transform, or interpret the same forms differently. Not to translate everything into products, but to let these approaches meet, and see what can emerge from that.

Nothing exists until it is chosen. Some things become pieces. Some remain experiments.

BlissBloomStudio is not a fixed discipline. It’s a way of working across many of them, without having to reduce them to one.